worship

An Enduring Legacy

Billy Rankin

Jacob Glover, Ph.D., Director of Public Programs and Education

“Great architecture has this capacity to adapt to changing functional uses without losing one bit of its dignity or one bit of its original intention.

– Thomas Krens, former Director of the Guggenheim

As we approach the end of October and the 200th anniversary of the Pleasant Hill Meeting House, we have taken the opportunity to reflect on the both the history of the Meeting House and its continuing legacy and influence here at Shaker Village. As the quote that opens this blog post implies, the Meeting House has been remarkably resilient throughout the course of its existence and its many alterations since 1820.

When thinking about the original intention of the Meeting House for the Shakers at Pleasant Hill, it is important to keep in mind how the space was purpose-built to allow certain aspects of Shaker society to flourish. For the Shakers, the Meeting House was always about things such as unity, community, and faith. Of course, the Shakers’ religious beliefs influenced all aspects of their life, but the common worship area of the Meeting House was an extremely important physical space where the Shakers could gather on a weekly basis and reinforce communal ties, a shared sense of belonging, and strengthen their union with one another.

Special community events such as Illuminated Evenings, held on Saturdays in December, help continue the legacy of song that has long shaped the history of the Pleasant Hill Meeting House.

Given the important of these notions to the entire Shaker worldview, it is no wonder that the Meeting House held such a place of prominence in every community. When Shaker brothers and sisters danced and sang with each other, they cemented bonds that not only held together the community at Pleasant Hill — these actions provided a shared identity for Shakers all across America who danced the same dances and sang the same songs in similar buildings from Maine to Ohio.

The materials used to construct the Meeting House tie the building to centuries of history in central Kentucky. These trusses, seen in the attic, allow for the open space on the first floor that were key to Shaker worship.

At Shaker Village today, the Meeting House retains much of its original charm and capacity to inspire, even if the form and shape of that inspiration holds different meanings for us than it did for the Shakers. The sense of belonging and togetherness that was so important to the Shakers remains present in our daily Shaker music programs and special events like the Community Sing and Illuminated Evenings, as building community through song is still as strong an influence as ever.

The solidity and permanence of the Meeting House is also reminder of the power of place in a modern world that seems to become more transient and transparent by the day. Walking in the attic, the massive king posts and trusses are reminders of the ancient forests of central Kentucky and the long years that the oak trees graced the Bluegrass before they were hewed by the Shakers to build such a lasting testament to their architectural skills and their faith.

At Pleasant Hill, we remain as committed as ever to inspiring our local communities and state by sharing the legacies of the Kentucky Shakers, and the Meeting House will continue to be an integral part of that mission for our organization.

Join us at Shaker Village of Pleasant Hill on Saturday, October 31, 2020, for the 200th Anniversary celebration of the Meeting House. Special tours of the Meeting House focusing on Shaker song, dance and the building’s architecture will be available with purchase of admission.

“‘Tis the gift to be simple, ’tis the gift to be free…”

Billy Rankin

Jacob Glover, PhD., Program Manager

By all accounts, most readers of this blog, and probably anyone who has heard any examples of Shaker Music, will recognize the lyrics quoted above. Many of you all probably even hummed the tune along as you read these memorable words. Written in 1848, Simple Gifts is undoubtedly the most recognized song attributed to the Shakers.

Popularized by Aaron Copland’s 1944 composition Appalachian Spring, the melody entered the canon of American popular culture. Subsequently, English songwriter Sydney Carter used the same melody with his own, original lyrics to write the hymn “Lord of the Dance” in 1963—a tune that American congregations have sung in worship ever since! From there it gets complicated, but to put it simply, popular musicians, car companies, the American Olympic Committee and many other groups have utilized the melody in one version or another for their own purposes.

Due in large part to its popularity, Simple Gifts has come to be synonymous with Shaker music as a whole. Nothing, however, could be further from the truth.

As a group, the Shakers have written over 20,000 songs since their founding in 18th century England. At Pleasant Hill, songwriters and singers proliferated and produced a stunning collection of American music that still resonates to this day. Many of these songs, in fact, were notated in beautiful hymnals that we currently have in our archival collections!

Instead of traditional music notation, the Shakers used ‘letteral’ notation, so that all members of their communities could participate and sing along. –“A Hymn Book, Containing a Collection of Ancient Hymns…Compil’d and Recorded by Paulina Bryant,” Item 361, Library of Congress Shaker Collection

It’s not just the sheer volume of Shaker music that’s impressive. The Shakers also wrote many different types of songs (hymns, anthems, marches, celebratory songs, and more) over the years, and different eras of Shaker history often led to remarkably different creations. Within the Shaker societies, active participation in worship through both singing and dancing was vital to community life. More than just a social and creative outlet for the Shakers, music also served devotional and instructional purposes while providing structure to the very rhythms of their daily life.

Shaker music can also shed fascinating insight into the lives of individual songwriters. The Pleasant Hill community, in fact, was widely regarded by other Shaker settlements as possessing quite a number of members with exceptional musical talent.

Patsy Williamson was one such individual. Born an enslaved person in North Carolina, Patsy was brought to Pleasant Hill in 1812 by her enslaver and family. Within a year, the Shaker community had purchased her legal freedom and Patsy quickly became an integral member of the growing sect. Patsy would spend the rest of her life as a good and faithful Shaker—and prolific songwriter—in Mercer County.

One of Patsy’s most exceptional creations, Pretty Mother’s Home, speaks to some of the core tenets of Shaker theology and her belief that one day she would have a “pretty home” in Heaven. These ideas—and the fact that they were shared through music—would have been eminently familiar and relatable to Shakers living in disparate communities across America at this time.

The 1820 Meeting House at Pleasant Hill was built to allow the Shakers to worship in their unique style. During services, the Shakers used no musical instruments. They regarded human voices as the ideal instruments for worship.

To hear Patsy’s song (and many others!) that together comprise a buried treasure of American music, come out to Shaker Village of Pleasant Hill and take part in our daily Shaker Music program that runs in the 1820 Meeting House at 11:00 am and 2:00 pm daily throughout the year.

I promise, there’s more to Shaker music than simple gifts, no matter how free they may be!