Sister Charlotte Tann: Strengthened by Faith

Holly Wood, Music Program Specialist

“And I am thankful I was called into the gospel when I was a child, and I am also thankful I can say, that I never turned my back on the way of God although I have had some very trying scenes of trouble and distress to pass through . . .” {1} – Sister Charlotte Tann at Pleasant Hill, Kentucky, 1841.

Based off census records, the far right figure is probably Charlotte Tann. c. 1870s

Here are a few examples of those “trying scenes”:

  • Living in the chaos of the 1811 New Madrid earthquake on the Western frontier, where aftershocks disrupted the isolated community for months.
  • The War of 1812 caused thirteen year old Charlotte Tann to flee from West Union Shaker Village with hundreds of pacifist Shakers on a 431 mile journey to safety.
  • Returning home after two years of war to discover her entire village destroyed.
  • Orphaned at age fifteen.
  • The closing of her childhood Shaker community and removal to Pleasant Hill, Kentucky.

When the Indiana community formally closed, Charlotte Tann was assigned by the Shaker ministry to live as a free person of color in Kentucky, a slave owning state.

How did this woman of faith, this unsung pioneer, face the difficulties of her life?

Tann’s testimony reflects the perseverance of a woman who’s trying life did not break her. She survived loss, disease, war and grappled with societal inequities while staying devoted and strengthened by the faith.

“And now I will give myself up to Mother and her good work, and labor to gather in a substance and treasure up the gospel into my own soul, for it is my unshaken faith and resolution to abide and endure to the end, let what will come.” {2}

Her faith compelled her to heal and to flourish. As believers in gender equality, the Shakers recognized the spiritual gifts of both women and men. Pleasant Hill had a wealth of women who wrote beautiful Shaker hymns and, unlike so many women in the world, the Shaker women were recognized as the composers.

Image of “Give Ear O My Children” from Benjamin Dunlavy’s Song Book, 1844-45.

Sister Charlotte was referred to as an “inspired instrument,” or, led by God to compose. She wrote many songs, including “Give Ear O My Children,” which admonishes all bondage and hails freedom, love and kindness as the tools to gain entry to Mother’s heaven above.

Upon the passing of this resilient woman in 1875, the Pleasant Hill Shakers reflected on her as a tower of faith:

  “And thus has fallen another Veteran that has stood since childhood through many trying scenes . . . She is worthy of much honor, for She has been a faithful and zealous Surporter of the cause.” {3}

Learn more about Sister Charlotte Tann, and the stories of other Shakers from Pleasant Hill, on tours conducted daily at Shaker Village of Pleasant Hill.

{1} Testimony of Charlotte Tann, “Testimonies of the Pleasant Hill Shakers,” WR-VI-B49 pp. 38-40
{2} Ibid
{3} Filson Club:  Bohon Shaker Collection.  Volume 16 of 40 volumes. 
A Ministerial Journal.  October 24, 1868 – September 30, 1880.  March 15, 1875. Page 140.

“‘Tis the gift to be simple, ’tis the gift to be free…”

Jacob Glover, PhD., Program Manager

By all accounts, most readers of this blog, and probably anyone who has heard any examples of Shaker Music, will recognize the lyrics quoted above. Many of you all probably even hummed the tune along as you read these memorable words. Written in 1848, Simple Gifts is undoubtedly the most recognized song attributed to the Shakers.

Popularized by Aaron Copland’s 1944 composition Appalachian Spring, the melody entered the canon of American popular culture. Subsequently, English songwriter Sydney Carter used the same melody with his own, original lyrics to write the hymn “Lord of the Dance” in 1963—a tune that American congregations have sung in worship ever since! From there it gets complicated, but to put it simply, popular musicians, car companies, the American Olympic Committee and many other groups have utilized the melody in one version or another for their own purposes.

Due in large part to its popularity, Simple Gifts has come to be synonymous with Shaker music as a whole. Nothing, however, could be further from the truth.

As a group, the Shakers have written over 20,000 songs since their founding in 18th century England. At Pleasant Hill, songwriters and singers proliferated and produced a stunning collection of American music that still resonates to this day. Many of these songs, in fact, were notated in beautiful hymnals that we currently have in our archival collections!

Instead of traditional music notation, the Shakers used ‘letteral’ notation, so that all members of their communities could participate and sing along. –“A Hymn Book, Containing a Collection of Ancient Hymns…Compil’d and Recorded by Paulina Bryant,” Item 361, Library of Congress Shaker Collection

It’s not just the sheer volume of Shaker music that’s impressive. The Shakers also wrote many different types of songs (hymns, anthems, marches, celebratory songs, and more) over the years, and different eras of Shaker history often led to remarkably different creations. Within the Shaker societies, active participation in worship through both singing and dancing was vital to community life. More than just a social and creative outlet for the Shakers, music also served devotional and instructional purposes while providing structure to the very rhythms of their daily life.

Shaker music can also shed fascinating insight into the lives of individual songwriters. The Pleasant Hill community, in fact, was widely regarded by other Shaker settlements as possessing quite a number of members with exceptional musical talent.

Patsy Williamson was one such individual. Born an enslaved person in North Carolina, Patsy was brought to Pleasant Hill in 1812 by her enslaver and family. Within a year, the Shaker community had purchased her legal freedom and Patsy quickly became an integral member of the growing sect. Patsy would spend the rest of her life as a good and faithful Shaker—and prolific songwriter—in Mercer County.

One of Patsy’s most exceptional creations, Pretty Mother’s Home, speaks to some of the core tenets of Shaker theology and her belief that one day she would have a “pretty home” in Heaven. These ideas—and the fact that they were shared through music—would have been eminently familiar and relatable to Shakers living in disparate communities across America at this time.

The 1820 Meeting House at Pleasant Hill was built to allow the Shakers to worship in their unique style. During services, the Shakers used no musical instruments. They regarded human voices as the ideal instruments for worship.

To hear Patsy’s song (and many others!) that together comprise a buried treasure of American music, come out to Shaker Village of Pleasant Hill and take part in our daily Shaker Music program that runs in the 1820 Meeting House at 11:00 am and 2:00 pm daily throughout the year.

I promise, there’s more to Shaker music than simple gifts, no matter how free they may be!