shaker

The Origins of the North Lot Dwelling

Billy Rankin

Jordan Lewis, Interpreter

Early Homes

In the first decade after the arrival of Shaker missionaries in Mercer County, before the Pleasant Hill community had built many of the iconic structures that make up the village today, new converts lived on farmsteads scattered around what would eventually become the village center. Many of these homes and outbuildings had not been built by the Shakers, but were put to use to house the rapidly growing community as the Shakers bought land from their neighbors. Early journals make reference to many of these farmsteads, including “the Denny Farm on the hill West of the Grist mill pond, the Varner place about a mile North of the village, and the Brickey place about a half mile or more beyond that” (Church Record Book A, HHS, pg. 38).

North Lot Dwelling c. 1940s. Courtesy of the Historic American Building Survey.

One such property was a parcel of land the Shakers bought from William Hoard in 1807, just two years after Shaker missionaries arrived in Mercer County. The property included a frame house which had been built by a previous occupant, which became home for the next ten years to several groups of new converts, including some of Pleasant Hill’s most prominent early families – the Bantas, the Runyons, the Bryants, and converts like John Shain, who later became the village doctor.

A New Location

Over time, the Shakers at Pleasant Hill established two purpose-built Gathering Orders, the North Lot and West Lot, to house new members of the faith while they learned about Shaker lifestyle and religion. The scattered farmsteads that had characterized early village life were simultaneously being phased out. At this time, the Shakers chose to move the frame house from the Hoard property and rebuild the structure as the North Lot Family Dwelling.

On December 16, 1816, Shakers recorded this move in their journals: “Today we began to pull down and move away the old fraim house where Samuel Banta collected a Family in 1807, we intend establishing a gathering family or family of young believers, the family is to be 1 mile North E of the Center Family it will be known by the name of North Lot” (Origins & Progress of the Society, 123).

North Lot Dwelling prior to restoration efforts c. 1960s.

Over the next year, the Shakers rebuilt the frame house at its new location, adding a cellar and kitchen. The first residents moved to North Lot on November 25th, 1817. This building served as the primary dwelling house for the family until December of 1832, when a larger brick dwelling (lost to a fire in 1946) was completed, after which point it was used as a workshop.

Gathering Orders at Pleasant Hill

Shaker Gathering Orders hosted diverse and shifting populations of potential converts as needy families, European immigrants, spiritual seekers, free black Americans, and countless others arrived on the Shakers’ doorstep. Records note frequent arrivals and departures: members leaving the faith, novitiates transferring to other spiritual families, run-away children, expulsions and readmittances, births, deaths, and other dramas. Some residents of the North Lot Dwelling stayed for months, weeks, or years while never formally joining the community, while for others their time at North Lot was merely the first step toward a life lived in the Shaker community.

The North Lot was once home to almost two dozen structures. Several can still be seen standing here in 1912.

The North Lot Dwelling

Today, the frame dwelling is the only building remaining from the North Lot Gathering Order, 206 years after it was moved to its present location. Because the frame house was in existence before the Shakers began constructing some of their first structures on the site, the building likely contains some of the oldest materials still on the site today.

The building has been closed to the public since the 2000s, but is slated for restoration to begin this year. As preservation of the building begins and progresses, we will continue to research and share the story of this significant structure, while preparing it to be used again someday very soon.

Learn more about the history of historic preservation at Shaker Village of Pleasant Hill!

Searching for Sister Mary

Billy Rankin

Maggie McAdams, Education and Engagement Manager

Who was Sister Mary, and why are we trying to find her?

A born storyteller, Sister Mary Settles was by all accounts well read, well written, and loved to talk. She had a knack for effective, entertaining, and engaging communication.

“One of a few brilliant conversationalists now living. She will not only talk for publication but she does it so entertainingly and so accurately, that your only trouble lies in being able to keep up with the facts and dates, for which she has an alarming memory.” – Ella Hutchinson Ellwanger, 1919

Sister Mary arrived at Pleasant Hill in 1859 as a single mother of two young children.  She claimed to be a widow, but records indicate that her husband, Frank Settles was still living at the time and married another woman in the early 1860s. No matter the circumstance surrounding her arrival, she found a refuge at Pleasant Hill and a place to call home for the final 64 years of her life.

Pleasant Hill’s Last Shaker

Sister Mary took on many roles in the community, notably as a leader and an educator, but one title often overshadows the rest, she was the very last Pleasant Hill Shaker.  As the 19th century came to a close, the population of Pleasant Hill was dwindling.  The Shakers decided to close the covenant in 1910, meaning they would no longer accept new members.  With only twelve Shakers left, including Sister Mary, it was challenging to maintain buildings and grounds, so they deeded their property to a local businessman in exchange for his care in the final years of their lives.  With this agreement, the remaining Shakers ensured that they would receive the care and support that they needed.  With the buildings in private hands, more hotels and restaurants began to open, and more visitors started to pass through.

A Local Celebrity

Automobile tourism in the 1910s and 1920s meant that people were looking for countryside attractions, and this opened a new world of activity at Pleasant Hill.  This coupled with a natural curiosity felt toward the Shaker sect, as communities were waning throughout the U.S. during this time.

Because of this increased visitation, Sister Mary became a local celebrity and tourist attraction.  With the passing of Brother William Pennebaker in 1922, her status as the last Pleasant Hill Shaker only intensified the public’s fascination with her and the community.  Luckily for Sister Mary and the visitors alike, she was always ready for a good conversation.

At a time when the community and the religion were fading around her, and the world was closing in, Sister Mary decided to spend her time helping curious people of the world understand her way of life. She welcomed questions on the Shaker faith and kept up with the daily newspapers so that she could voice her opinion on all manner of topics.  She eagerly contributed to discussions on women’s suffrage and when asked if she voted in the 1920 election, she claimed, “Of course, isn’t the equality of women part of our religion?” – The Courier Journal Sun, November 21, 1920.  She lent her voice where she could, and she used her celebrity platform as a tool to educate and instruct, as any teacher would.

Sister Mary, Remembered

Sister Mary passed away on March 29, 1923, so on the centennial anniversary of her death, we ask, how should Sister Mary be remembered? By who she was, by where she lived, by what she did, or by how she made people feel? 

At Shaker Village, we believe that studying the history of the Shakers, of Pleasant Hill, and of individuals like Sister Mary gives us perspective on our own beliefs, roles, and identities. Which begs the question: How will you be remembered?

Join us in exploring Sister Mary’s life at Pleasant Hill in our upcoming exhibit, Searching for Sister Mary located on the second floor of Center Family Dwelling.

Shaken or Stirred at Shaker Village

Shaker Village

Shelby Jones, Director of Communications

The holiday season is all about gathering together with family and friends, and it usually involves a cocktail or two. We mix up drinks all year at The Trustees’ Table, and in the spring, summer and fall we serve them from our Music Bar on The Trustees’ Lawn during the Music on the Lawn series.

Our Music Bar Bartender Jim Rogan spends time researching and formulating each recipe before serving it up at Shaker Village. We wanted to share Jim’s top-selling cocktails from the Music Bar this year so you can recreate them at home and toast to 2022.

Bartender Jim Rogan mixing up a cocktail on The Trustees’ Lawn.

Best-Selling Music Bar Cocktails

Amaretto Sour

1.5 oz amaretto
.75 oz cask-proof bourbon such as Booker’s or Baker’s
1.0 oz fresh squeezed lemon juice
1 tsp simple syrup (2:1)
.5 oz egg white, lightly beaten

Combine ingredients in a cocktail shaker and shake without ice or use an immersion blender to combine and froth. Add ice and shake well. Strain over fresh ice in an old-fashioned glass. Garnish with lemon peel and brandied cherries, if desired.

Recipe by Jeffrey Morgenthaler, Portland, Oregon

Billionaire

2.0 oz Wild Turkey 101 bourbon or other high proof bourbon
1.0 oz fresh squeezed lemon juice
.5 oz simple syrup (1:1)
.5 oz house made Grenadine
Dash of Absinth
Garnish: lemon wheel

Combine ingredients with ice in shaker and shake to chill. Strain into chilled cocktail glass or rocks glass with fresh ice. Garnish with lemon wheel.

House Made Grenadine
2.5 cups R. W. Knudsen pomegranate juice
1 cup simple syrup
½ cup dark rich brandy

Pour pomegranate juice and simple syrup into a small saucepan and bring to a boil over medium heat. Decrease the heat to low and reduce mixture until it becomes syrupy enough to coat the back of a spoon, about 20 minutes. Let cool and add the brandy. Pour into a food safe container and store in refrigerator. Will keep for 2 weeks.

Adapted from Speakeasy, Classic Cocktails Reimagined by Jason Kosmas and Dushan Zaric

French Martini

2.0 oz vodka
1.5 oz pineapple juice
.5 oz Chambord
Garnish: lemon peel

Combine ingredients with ice in shaker and shake to chill. Strain into chilled, stemmed cocktail glass or into rocks glass with fresh ice. Garnish with lemon peel.

Marty Manhattan

2.0 oz Woodford Reserve bourbon
1.0 oz sweet vermouth
Dash of Regans’ No. 6 orange bitters
Garnish: orange peel

Stir ingredients with ice in mixing glass to chill. Strain into stemmed cocktail glass or into rock glass with fresh ice. Express orange peel over glass and drop in glass.

Jim’s Bartender Note: My wife Marty usually works weekends greeting guests as they arrive at the entrance to Shaker Village. One weekend in June three ladies came up to the Music Bar after talking to Marty and told me they wanted a Manhattan just like the Manhattan I make for her at our evening cocktail hour. I was a bit puzzled and finally one of the ladies said, “You know, the Marty Manhattan.” That’s the story behind the name.

If you’d like to learn more about making cocktails and the history behind their origin check out our Cocktail Craftsmanship & Sipinar class lead by Jim on January 22nd at Shaker Village.

Making Connections

Billy Rankin

Billy Rankin, VP of Public Programming and Marketing

This is the third part of our behind-the-scenes look at the development of Local Economies, Global Impacts, a new exhibition that will open this summer at Shaker Village.

Last month we introduced three main goals that the team at Shaker Village keeps in mind when developing any new exhibit:

  1. Tell a Meaningful Story
  2. Connect with Different Audiences
  3. Be Relevant

If you need to revisit how we craft our exhibit’s “story” and integrate it into the site’s larger interpretive plan, you can catch up here!

Today I’d like to spend some time on “connecting with different audiences.” Talk about a BROAD topic, right?!

Floor plans and renderings continue to develop for
Local Economies, Global Impacts.

A Diverse Audience

Each year Shaker Village has nearly 100,000 visitors to its historic property. These guests come from every imaginable background. Some are elementary students on field trips. Some are international travelers. Many come for their love of history, while some are dragged here because of a family member’s love of history!

Some of our guests will have trouble navigating the steps and historic sidewalks on our property, and some of them are unable to read the signage we hang up, or hear the voices of our staff.

With the universal impact of COVID-19 still being very real, many of our guests will be hesitant to join a group of strangers on a tour, or approach an Historic Interpreter with a question.

Shaker Village’s guests represent a broad cross-section of ethnicities, religions and backgrounds. And, every single one of our guests will come to our exhibit with a different perspective. To quote Obi-Wan Kenobi, “You’re going to find that many of the truths we cling to depend greatly on our own point of view.“

Just the Facts

So, how do we account for all of these different perspectives when trying to fulfill our mission to inspire generations through discovery by sharing the legacies of the Kentucky Shakers?

We start by sticking to the story we know. It’s important for museums like Shaker Village to share facts. This isn’t always easy. Often history is muddy and mysterious. Our team of scholars work hard to check and double-check their sources. We guard against jumping to conclusions, and select the words we use very carefully so they are not easily misinterpreted. It is tempting in this “editorial age” to lead a narrative in the direction you’d like it to go. Aside from this being unethical, it also defeats the purpose of studying our history. How do we learn from it, if we don’t look at it for what it is?

By sticking to the facts we allow ALL of our guests to trust the content they are being introduced to, and this trust provides the foundation for the connections we want to make.

Videos available through the upcoming Shaker Village App will connect visitors to multimedia content related to new exhibits.

People Learn in Different Ways

We’ve all seen it before. Someone may be a great student in class, but struggle with experiential projects. Another person may be able to grasp complex concepts quickly, but find difficulty staying engaged for a long period of time. Many people love watching historic documentaries, but were bored to sleep in their history classes.

When we develop a new experience at Shaker Village, we are committed to meeting people where they are, not where we want them to be.

To accomplish this, we layer in several different approaches when developing a new exhibit.

  • Visuals, including: images, graphics, maps, videos and other multimedia
  • Audio components that are both ambient and interpretive
  • Text written without jargon, and kept as succinct as possible
  • Tactile elements that allow guests to get hands-on
  • Personal Stories that can make the content more relatable
  • Programs, tours and workshops connected to the exhibit to add the personal touch and expertise of an Historic Interpreter

Not every visitor will engage with every method we use. That’s not even our intent. Our intent is to have at least one method that is engaging for every visitor.

A Spark of Inspiration

Hands-on workshops and daily programs are a valuable way to connect visitors to exhibit content.

“Interpretation is revelation based upon information.”
– Freeman Tildan

So, what exactly is the point of learning about the industries and economy of the Shakers at Pleasant Hill? Well, here’s the secret. It’s not actually about the Shakers. It’s about you.

Throughout Local Economies, Global Impacts we will place questions, prompts and activities that allow visitors to question how the topic at-hand is relatable in their own life. For instance – we have relatively few examples of Shaker clothing, due to the fact that older clothes were often cut up and used to make rugs or other items. What do you do with your old clothes when you are done wearing them?

This is an “inquiry-based” method. Causing the visitor to consider a question and discover their own response. There is no correct answer. Only your answer. Pair with an interactive that allows you to see how others have responded to the same question (this is called user-generated content) and now we’re on to something!

Every exhibit and program we produce at Shaker Village contains a TON of information. Our goal is to move from information to inspiration. Guests might not remember everything they learned, but they will certainly remember how they felt.

Next Month: Learn how Local Economies, Global Impacts will use “universal” concepts to create a story that is relevant to a modern audience.

Local Economies, Global Impacts is funded in part through a Museums for America matching grant, administered by the Institute for Museum and Library Services.

Local Economies, Global Impacts

Shaker Village

Billy Rankin, VP of Public Programming and Marketing

Have you visited Shaker Village in the last few years? If so, the fact that we’ve made BIG changes in how we interpret the history of the Pleasant Hill Shakers is no surprise. For those who need a recap, this article is a good primer!

Shaker Village staff and consultants planning new exhibitions.

The history of the Pleasant Hill Shakers is layered, diverse, and oftentimes surprising. We want our interpretation to share those qualities!

To achieve that goal we use exhibits, workshops, multimedia content, demonstrations, tours…well, LOTS of methods. Every visitor comes with their own perspectives and learning styles. We build experiences to connect to each of them.

Something New is in the Works

This summer a new experience is coming to Shaker Village. We thought it would be neat to give you a monthly glimpse behind the scenes as we develop this exhibition on…economics!

Okay. I know. Economics isn’t everyone’s cup of tea, right?

But that’s where our incredible interpretive team comes in. You see, it is actually really interesting to consider how a communal society that didn’t believe in personal possessions got so darn good at making and selling things to the public.

And there are many more layers to this story that need peeling back.

For example: How did gender equality in Shaker society play into their business operations? Did the Pleasant Hill Shakers have any connection to enslaved labor? What happened when their population dwindled and more non-Shakers were making some “Shaker” products than Shakers themselves?

The 1845 East Family Brethren’s Shop as the village office.
c. early 1900s

And perhaps the most important question of all: What can we, who live in an ultra-modern order everything online “I don’t care where it comes from as long as it’s convenient” global marketplace, possibly learn from the economy of a small, agrarian village?

These questions and more will be addressed when Local Economies, Global Impacts opens this summer!

Developing a New Exhibit

Local Economies, Global Impacts is funded in part through a Museums for America matching grant, administered by the Institute for Museum and Library Services.

The 1845 East Family Brethren’s Shop and the 1855 East Family Sisters’ Shop will host the new exhibition. Each were important workshops, and offered other unique contributions to the economy of the village.

Pleasant Hill’s textile industry will be highlighted
in the new exhibit.

With the support of this grant Shaker Village has been able to conduct valuable new research about the economics of the Pleasant Hill Shakers that will come alive as part of the exhibit.

Guests will learn about the village trustees, trading deacons and office sisters. The exhibit will open a new window into the operation of mills, the management of natural resources, the work that happened in Shaker workshops, the routes travelled by trading deacons along roads and waterways, and the stories of the men and women who put their hands to work to sustain their community’s economy.

Local Economies, Global Impacts is currently in an early design phase, where we draft narrative flow within each building, and plan methods for sharing each portion of the content. Artifact displays, tactile interactives, murals, multimedia content and other methods are being fit together in the plan like an integrated puzzle.

Floor plans like this, from an early phase of design, are used to discuss the flow of content in each exhibit space.

Over the next two months we will finalize our designs, write the final content and produce graphics. Then we begin fabrication, followed by installation.

We hope you’ll come along for the ride with us each month as we update our progress. This summer, when you visit the exhibit, you’ll feel like you were there to help create it!